Champagne



I wish I could do the proper Miss Gracious Living thing and send all of you a handwritten note (on pretty Smythson stationery, of course). Your letters, calls, emails, blog posts, and comments of support have lifted our spirits during the close of Southern Accents, and it has been comforting to know that the magazine has meant so much to so many over the years. 

The staff got together on the last day to share a few laughs, a few tears, and a lot of Champagne. And though the magazine comes to an end and most of the staff has now scattered (on to do great things, I know, as they are the best), our love of Southern style will most definitely endure. Thank you and we raise a virtual toast to all of you: May you always find life beautiful, entertaining, and gracious!


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Whether you're a professional designer or architect or a do-it-yourselfer, something you should always have close at hand is a camera. It can help in quite a few situations.

Before Rear


After Rear Taking "before" pictures. When I'm redoing something at home, I'm usually so impatient to bring in the new that I forget to document what the old looked like. At Southern Accents, that's actually a problem we run into frequently with remodeling stories. We know readers like to see before-and-after comparisions, and so do we. Even an in-progress shot is helpful. But so often those photos just don't exist. And once the project is finished, there's no going back to get them later. Even if you don't have editorial concerns, before and after shots can give you a great sense of accomplishment (and help you remember why you spent all that money). Be sure to take the before and after shots from the same vantage point; it makes it easier to compare the two later.

Pictured: Before and after views of the same house, by architect Madison Spencer. It wows me every time I see it. It's hard to believe it's the same house. Without pictures from before, it would be almost impossible to describe how great the improvement was.

Getting better design advice. When I was choosing tile for our kitchen backsplash, I knew I needed help. But when I began to describe to the salesperson my kitchen layout, materials, and paint colors, I quickly realized that it would be much easier if I brought in pictures. Sure enough, the salesperson appreciated having visuals and was better able to advise me on what might work best in the space. I plan to do the same thing for the landscaping I desperately need help with.

Compiling a portfolio of your work. If you're trying to market your services, photograph your projects as you do them so you'll have examples to show potential clients.  

Seeing things more objectively. I can look at a room a hundred times a day and not see how cluttered I've let it get. But show me a picture of the room, and the flaws jump out at me. For some reason, a picture makes it easier to see what's out of place, out of proportion, or just needs to be taken out altogether.

Making better purchases. You may be one of those people that has a knack for picking the right piece the first time. But when I'm shopping, it's hard for me to see an item in a store and visualize how it will look in my house. Or maybe I just can't decide between several different styles—I like them all! So I'll take pictures (a camera phone is perfect for this) and then look at them later at home. When I see them in my own environment, out of the strategically styled, brightly lit store setting, it's perfectly clear which one I need. I save money by not making as many impulse purchases, and I save time by not having to return things that don't work. I've also brought pictures of rooms to the store, as I did in the tile situation. This can also help you match your space to the myriad choices calling your name.

Before photo courtesy of Madison Spencer; after photographed by Erik Kvalsvik

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Image courtesy of Life.com

As much as I like my job here at Southern Accents, I need a break sometimes—we all do. I love vacationing, but sometimes traveling (not to mention planning, booking flights and hotels, and packing) leaves me feeling like I need a real vacation when I return from the trip.

You’ve probably seen and heard the term “staycation” lately. Last week I took one, and it was a great week. I think we’re all realizing that we don’t have to spend a lot of money or do something grand to have an enjoyable time.

Don’t overdo it (you do want to relax), but I would suggest making plans for your staycation. If I hadn’t, I would have whittled my entire week away organizing and cleaning here and there. Even though I made time for some of that, I also took my one-year-old son to the pool. We went to our local library to see a magic show. I took long, leisurely trips to the grocery store (an indulgence for me), and made dinner for our family most nights, including one you should try: Bow Ties with Tomatoes, Feta, and Balsamic Dressing, from the latest issue of Cooking Light. 

I love the sun, even in July, so I spent of lot of time outside—weeding, planting basil, tending to my tomato plants, and sitting on our new patio reading The Disagreement. I even sipped ice water with cucumber and lemon as I read, something I’ve never done outside of the spa. But why not feel special at home? One morning, my son and I went for a long run with the jogging stroller, something that never seems to happen on weekends.

This week, I’m feeling caught up at home, relaxed, and refreshed. Is anyone else planning a staycation? Are there museums and summer events in your city that you’ve never gotten around to? Maybe you’d rather spend your time at home—in your kitchen or on your patio. What are your plans?

—Holly Goff

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"Beauty is not only where we find it. It's where we make it."

Matthew White, interior designer


A number of years ago, I had the pleasure of being seated next to designer Matthew White at a dinner party in Suzanne Rheinstein's home in Los Angeles (please forgive the name-dropping, but one of the genuine pleasures of my job is all the interesting people I have the opportunity to meet). He was an utterly charming dinner companion, and we talked of everything from our shared Southern roots to the fact that he was leaving the next weekend to join Sir Elton John at a house party in Venice.

Shortly thereafter, Matthew sent me an essay he had written about finding beauty in the modest environment he grew up in in Amarillo, Texas–seemingly worlds away from the glamorous life he now leads and the circles he often travels in. His words were so poignant, so real, that they brought tears to my eyes. Eventually I tucked the story away in a file, and every now and then during one of my cleaning purges, I would come across it and reread. I never quite knew what to do with it, but I couldn't bear to part with it, so back in the folder the story went.

A couple of years later, a perfect opportunity presented itself. We were putting together our 30th anniversary issue and decided to commission articles written by style setters on the elements of timeless design, including beauty, comfort, tradition, personality, and love of nature. I knew exactly where we should start and out came the folder again. Matthew graciously agreed to let us publish his essay, and afterward, we received a flood of letters and emails telling us how much the story had meant to our readers. One elementary school teacher even made it a project to read the article to her class and have the children write letters to Matthew sharing their stories and pictures of beauty.

If you happen to have a few extra minutes this weekend, click read more to find the entire essay. I hope the story will touch you as it continues to touch me. I believe, as Matthew does, that no matter where life's road takes you, it's important to always remember the people and experiences that brought you there.

photo by Pieter Estersohn; for more on Matthew White, visit whitewebb.com

Read More "Words to Live By" »

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A peek inside Belle Alliance Plantation in 2002
photographed by Richard Sexton
Southern Accents, May-June 2004

Five years ago we published a story called "Saving Belle Alliance"—one woman's personal journal documenting the ups and downs of restoring a beautiful but timeworn old plantation house. Bryce Revely and then-fiancé, now-husband Alan Caspi embarked on this adventure beginning in the year 2000, soon after which we began photographing the house in its transitional state. 

Well, it's now 2009 and I've still got Belle Alliance on my mind. I asked Bryce—one of the most down-to-earth, witty, and talented women in the South—to share with us a few moments of gracious living that relate to the now completely refurbished house on the Bayou Lafourche in Louisiana.

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Belle Alliance, 2001

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Belle Alliance, 2003

"Gracious living makes me think of inviting friends over for mint juleps (served in frosted sterling cups with mint from a 60-year-old plant) and sitting on the veranda watching the sun set over the sugar cane fields...

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...building a fantasy tree house in the 150-year-old oaks...


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...and organizing thousands of photographs made during the 8-year renovation process!


Be sure to visit Bryce and Alan's website to see the end result. Here's a sneak peek at Belle Alliance today:

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Thanks again for sharing this story, Bryce and Alan. And happy Friday, everyone!

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Balloons-uzes
balloons over Uzès, May 2009


You may remember our old friend Robert E. Smith of Au Vieux Paris Antiques in Breaux Bridge, Louisiana. He just got back from a month in Uzès, a medieval village in southern France, where he also has a home. Thought you might enjoy a few of his recent photos. I always find them inspiring, uplifting, and downright gorgeous. 


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a dried Eden rose with Delft porcelain


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Eden roses in Robert's courtyard garden

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Pergola

One day, I would love the view from my deck to look like this. But for now, I'm covering all of the atrocities in pine straw until I can figure out exactly what to do back there. Well, I'm here to tell you, it takes a lot of pine straw. Last weekend I took the truck to Lowe's and figured that about 20 bales would fit. They almost did, but one rogue bail tumbled out of the truck at the top of the hill. The light was turning green, and I was stressing out about how to circle around and retrieve it without losing the rest of the load in the process. The fellow beside me put his car in park and ran 100 yards up the hill in traffic (not to mention 90-degree heat) and loaded the bail securely for me. I was so astonished by his kindness, it made me feel good for the rest of the weekend. To my knight in shining armor and his lovely wife: Thanks from the bottom of my heart. Photograph: Roger Foley

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Designer Mary Evelyn McKee's long-haired dachshund Nicholas
photographed by Tria Giovan
Southern Accents May-June 2004

One day I'll put together a slideshow of all the cute pet beds we've featured, but meanwhile, check out this enviable perch. Birmingham designer Mary Evelyn McKee's dachshund Nicholas looks pretty cozy on a cashmere throw and daybed. (He also looks a little blurry. I've never met a dachshund who could be still around guests.)
 
I, too, have a Nicholas named Stewart, who competes with our cat for a prime spot on the back of a loveseat. It's innocent fun until I look at the furniture in daylight and have to acknowledge the marks and the sagging, worn spot they've left.
 
How do you feel about four-legged friends on the furniture? Would you be surprised to learn that many of the houses we feature have carpets and pillows and such unapologetically frayed by mischievous pets? 
 
 
 
 
 

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The topic of family photos comes up periodically in the pages of Southern Accents. You may have noticed that you rarely see family photos in the houses we feature—most often it's a single photo or two on an end table or nightstand. Many designers advise not having family photos in public rooms, such as the living room. ("Family on Display" is actually one of our "Seven Deadly Design Sins," but this point is referring more to painted portraits, which can come off as imposting and elitist.) As for photographs, the sin, so to speak, is that if they are not skillfully displayed, they tend to add clutter and detract from the design of the room.

I personally like to see pictures of the family when I visit people's houses--and who doesn't like to show off their children and grandchildren? For me, as a guest, photos help me get to know the family better and are often a conversation starter. Pictures can say a lot and are part of the fun of seeing someone else's home. 

I'm sure there are devotees of each opinion, as well as a happy medium.

Though they're not ubiquitious in our pages, if you flip through past issues, you will find examples of personal photos displayed in both private and public spaces. Here are some examples, along with some helpful designer advice should you decide to display yours.

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Bedroom designed by Jackye Lanham; photo by Tria Giovan

• Lars Bolander says that a grouping of photographs in the same type of frame can help create a collected look even if you only have a few things. 

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Room designed by Fiona Newell Weeks; photographed by Antoine Bootz

• Nancy Braithwaite says, "I try to put them in a private room, such as a study, and I frame the photos in similar frames. Painting the frames the color of the wall can keep the look organized. If I use wooden frames, they are all the same style and color." 



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Room designed by Mimi Williams; photo by Lauren Rubinstein

• Jane Smith says, "Pieces maintain their collective impact when grouped in a dedicated space rather than spread over several rooms or tucked behind closed cabinet doors." 


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Designed by Betsy Brown; photographed by Robbie Caponetto

• Josie McCarthy says, "Groups of family photos work well in a hallway, back stair hall, or dressing room. I prefer black-and-white photos, matted in white and framed in black or muted gold. In framing color prints, I use gold." She also recommends hanging them only on one side of the hallway: "It is impossible to look at both sides of the hall." Read more of Josie's advice on framing and hanging art here.

Another bit of advice I would add is that if you are grouping several frames on a table or desk, keep other accessories to a minimum to cut down on the cluttered look. And if you are using the surface for letter writing or other tasks, make sure you allow plenty of room so that the frames are not in your way or in danger of being knocked over (see the blue bedroom above for a good example of a dual-purpose table). 

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Today is 05-07-09. That makes it an "Odd Day"—a date that, when written in American numerical format, consists of consecutive odd numbers. It happens only six times a century, all within the first 15 years. What does this have to do with gracious living? Well, as it turns out, odd numbers show up quite frequently in fields such as interior design, architecture, and history. So in honor of this Odd Day, here are just a few examples of oddness.

Classical Architecture
Houses built in the classical styles, such as Georgian and Federal, often feature odd numbers of windows for symmetry. Notice the three dormers up top and the five bays of windows on the second floor. Other examples might have seven or more windows, but a true Georgian will always have a central door and window flanked by an equal number of windows.

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Photo: Pieter Estersohn

Interior Design: Art, Accessories, Collections
Theories vary as to why, but groupings of odd number of objects are particularly pleasing to the eye. One theory is that having an odd number forces you to view the objects as a single group, rather than visually dividing them into two separate sets. Another is that odd numbers look less regimented than even numbers. This grouping of nine Vietnamese fishing hats works perfectly in this space. Notice the five pillows on the sofa and three objects on the coffee table as well. 

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Room designed by Ginny Terry. Photo: Tria Giovan 

Photography: The Rule of Thirds
The rule of thirds is a guideline for composition in photography and other visual arts. Use imaginary lines to divide your image into three rows and three columns. According to the rule, placing the focal points of your image at the intersections of the lines makes for a more dynamic photo. Notice how the person in the photo below has been placed at an intersection. The horizon line has also been placed in the lower third of the photo. 

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Floral Design
Many floral designers, such as Paula Pryke, suggest selecting odd numbers of stems and grouping each type of flower in groups of threes, fives, sevens, etc., when arranging flowers, for a more natural look. 

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Photo: Polly Wreford

Imperial Architecture
Odd numbers held great significance in imperial China. They were considered masculine, while even numbers represented femininity. Chinese temples often displayed details in odd numbers. Nine, the highest single-digit odd number, signified the ultimate in masculinity and power and so was often incorporated into imperial structures. On the temple below, the doors each have nine rows of nine studs. Most of the doors in the Forbidden City also feature this pattern.

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Photo: Jimmy@R.H./Flickr

And finally, there is the Seventeen-Arch Bridge at the Summer Palace, Beijing. 

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Photo: Webshots

So next time something doesn't look quite right, try adding or subtracting one, or nudging it a little off-center. Sometimes a little oddness is all you need.

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A lovely Texas garden graces the cover of our May-June issue: 

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The Sands garden in Dallas with Hallie and Rosemary
Photographed by Nina Bramhall
May-June 2009

The real stars of the show here have to be the sweet little girls. But I love this beautiful garden, so full and yet well-edited. There was a great quote from decorator Bunny Williams on the 1st dibs website this week: "It's fine to have a wonderful house, but if you don't nurture it, what's the point?" The same can be said of gardens, I'm sorry to report I know first-hand. Even the homeowners here, the Sands, struggled with this site until they joined forces with landscape architect Paul Fields. But Bunny's quote still resonates: nurture—surely care and patience and respect are at the heart of all worthwhile things.... and evident in this sweet image, where beautiful little girls and a well-tended garden speak volumes of this talented team. I hope your gardens and your weekend are both full and well-edited!   

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Our offices are on the top floor of a 5-story building, and I take the elevator more than my supposedly health-conscious self probably should. But health concerns aside, being on the top floor means that I witness a good bit of elevator traffic en route. People getting on. People getting off. People bumping into each other. 

While riding up yesterday, I witnessed one woman position herself right in front of the door, with her nose literally almost touching it. I can only assume a) she didn't want to waste half a second moving toward the door once it opened or b) she wanted to get out before anyone else tried to get on. I found this unnecessary and unnerving. What if someone had been waiting equally as close to the doors on the other side? This is how annoying run-ins happen. So, folks, here are the rules of the elevator.

1. Let people get off before you try to get on. 

2. Realize that not everyone knows Rule #1. Even if you technically have the right of way, wait for the doors to open, look in front of you, and then exit (or enter) if the path is clear. Sad that this needs to be said, but I see people everyday bursting through doors without considering who or what might be on the other side.

3. If you are a man exiting a crowded elevator, you need not make an awkward maneuver to let a lady out ahead of you. The person nearest the door goes first.

4. If you are the first person to get on the elevator, promptly locate the "door open" button and hold it, if necessary, for other riders. This also prevents your having to frantically search for the button when someone runs up just as the doors are closing. It's dangerous (and often not effective) to stick one's arm or leg in between the doors to stop them from closing. 

5. If you see someone hurrying toward the elevator, hold the doors. If the person is at a distance and does not appear to be in a rush, don't wait for them. I would use the 10-second rule: If you'll be waiting more than about 10 seconds, let them take the next car. Any longer than that and you put the person in the awkward position of feeling like they need to hurry, as well as hold up the other passengers.

6. If there is only one panel of buttons, politely ask the person nearest the buttons to press your floor for you, rather than reach across them. If you don't want to be the button-presser, don't stand in front of them.

7. If the car is full, wait for the next one. Don't try to squeeze yourself in. 

I think 7 rules are enough for what amounts to about 3 minutes of my day, but what have I left out? What are your elevator pet peeves?

Photo: Flixster

Just sharing a few photos from a favorite house that ran many years ago--located in Pass Christian, Mississippi. It was badly damaged if not destroyed by Hurrican Katrina. But I still love the photos that capture a sense of place and calmness and peace. I also just re-read the story, written by the owners' daughter Margaret McMullan , a novelist and professor, which is lovely. So I share the photos with you--the house ran in our March-April 1997 issue. If you still have your back issues, re-visit the story and be inspired again.

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Here you're always coming and going from one porch to another. Open the French doors, slide out the built-in screens, and spend a whole afternoon having tea and waiting for a storm to roll in. Photography by Dominique Vorillon.

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A honey-hued Louis XVI dining table contrasts with the French farm table in the kitchen. Design by Patrick Dunne.

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In a bedroom, a convent washstand makes a convenient washstand.

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Nautical Fashion 1 

It's generally assumed (rightly) that the color navy blue got its name from the color of the uniforms worn by Navy sailors. But have you ever wondered why the Navy chose this dark blue in the first place? The answer hit me last week, when I was vacationing in Puerto Rico, with plenty of time to gaze out onto the ocean and wonder about such things. 

On a catamaran trip to the island of Culebra, I was mesmerized by the dark color of the water and thought that this had to be what prompted sailors as far back as the 1700s to adopt this as their signature color. 




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Navy is often combined with red and white in fashion and nautical decor. While you can find all shades of blue used in this combination, I'm partial to a dark, almost black, navy. Suzanne Kasler created my favorite interpretation of nautical style in our 2004 beachside showhouse. With stripes, warm woods, propeller fans, lacquered red cabinets, and a porthole-like mirror, she evokes the feeling of being on a ship without making you feel like you've stepped into a July Fourth parade. 


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For more images of the 2004 showhouse at Watersound Beach in Florida, visit MyHomeIdeas.com and search "Suzanne Kasler."

Top image from DailyRecord.co.uk, photographed by Paul Chappells. Ocean photographed by Eric Johnson. Rooms photographed by Tria Giovan.

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Minipop

When I was younger, cross stitch was one of my favorite pastimes. But now many of the patterns are too old-fashioned and kitschy for my taste. Wanting to take it up again (and wanting to get some use out of the rainbow of colored thread I still have), I set out to find some examples more suited to my style. It took some searching, but I found a few to inspire me. (I'm still searching for a great web site or book of designs to recommend, so stay tuned for that in a future post.)

Martha Stewart came through with a salmon-colored botanical design for a linen chair slipcover, a silhouette and a bird-on-a-branch stitched onto burlap tote bags, and the idea of stitching the date onto the spine of a cloth-covered photo album. 

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There are a lot of video game-related designs, most of which I don't care for, but this "retro-fabulous" guitar strap inspired me to make something similar for my husband.

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You can even make your own patterns by hand or by using pixelating software, like this blogger did from a picture of a chandelier. 

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Minipop sample photo (top): www.flickr.com/photos/rubykhan    (Unfortunately, rubykhan's minipop designs aren't for sale.)

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When I think April, I immediately think Earth Day. I'm proud to say I was bringing my own bags to the grocery long before it became trendy. And I'm even prouder that environmentalism has finally caught on in the mainstream. However, some resistance remains when it comes to actually changing one's established lifestyle. That's understandable. Here are few simple choices you can make that will put you on your way to an earth-friendly life—without putting a damper on your style. 


1. Reusable totes. Nowadays they are ubiquitous, sold at every market and even given away in some cases. But a true environmentalist keeps the amount of "stuff" they accumulate to a minimum. It takes resources to manufacture a bag, so you don't want to be buying new ones every time you forget to bring yours. Reusablebags.com is the best source I've found for all types of bags that are so stylish and practical, you'll have them with you at all times.

Two foldable nylon bags like this one:




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and one collapsible shopping tote like this:

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serve me well for most of my grocery and mall trips (which are usually small). If you make bigger trips, you'll probably need more or larger ones—although these hold a surprising amount. The nylon ones are wide enough for a pizza box yet fold up as small as a cell phone.

2. Lighting. Yes, fluorescent bulbs are more efficient than incandescents, but only if they are left on for extended periods, so there's no need to replace bulbs that you turn on and off only briefly. Focus on those that stay on for more than an hour at a time, such as your outdoor floodlights. Even replacing one bulb can make an impact. Also, keep in mind that fluorescents take a few minutes to reach full brightness, so give them a chance to shine before you veto them. Dimmers (recommended for aesthetic reasons by most, if not all, the designers we know) can reduce the amount of electricity you use as well. I also have a motion-sensor on the bulb in my laundry room, so I never leave it on all night by accident. 
 
3. Composting. I was intimidated by it at first: calculating the ratio of brown to green components, buying a proper container, controlling the smell. But it felt wasteful to throw food scraps in the trash when they could be fertilizing my garden. I finally decided to just experiment. I started by putting my plant-based discards in a large, covered plastic trash can outside. I covered them with some dry leaves to contain any unpleasant odors and stirred it all around about once a month. That's all. To my surprise, in a few months, it had actually turned into compost. Very low maintenance (I've since learned that my method is actually called "passive" composting). I used a simple airtight plastic tub to store my scraps in the kitchen until I got a chance to dump them outside, but there are some more attractive options out there if you want to spend some money. Check out this copper one, and this retro metal one (below). For tips on composting, including what NOT to add to the pile, visit Earth911.com or the EPA.

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4. Paper. Reduce the amount of junk mail you receive by visiting the Privacy Rights Clearinghouse and following their instructions for opting out. If you receive more catalogs than you need, Catalog Choice is the place to go. Be careful, though—you might discover a new catalog to replace the one you cancelled. Think before you print or write something in a notebook. Can you read or write it on-screen just as easily? If you need to print, print two-sided and print only the pages you need. I have also started using The Journal software for my random musings. Though I love the idea of buying a pretty journal, the electronic version is quicker than hand-writing and takes up no room in my house. (And it's password-protected, so no worries about it being read by anyone but me!)

5. Travel mugs. Once you get used to it, carrying your own mug becomes a habit and saves countless disposable cups. I have an insulated mug that can be used for hot or cold drinks. If you can, get one that's dishwasher-safe.

I like this one because it's made from recycled content and is dishwasher-safe (the white label comes off):
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This one for its fun factor:

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And this one for its "tip and cool" feature that lets you cool one sip at a time to the perfect temperature. It comes in 12 colors.

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6. Recycling. In this case, once you start, it's difficult to stop. I can't with a clear conscience just throw a recyclable in with the regular trash. I don't have neighborhood pickup, so I store my plastic, aluminum, and paper in a large Umbra Crunch Can until it's full enough to make a trip to the recycling center. It has a vinyl lining that can be wiped clean and collapses for storage. Mine is natural-colored, but I love this pink-and-brown design.


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Making a few small changes such as these can significantly reduce the impact you make on the environment as an individual. You don't have to feel deprived or sacrifice your style. Be creative and come up with your own ways to reduce, reuse, and recycle!

I don't get in to Valentine's Day. I'm not anti-Valentine's; I don't wear black like some people I've known. But I usually forget to wear pink, and as a rule, I don't give Valentine's cards or gifts. However, something about St. Patrick's Day appeals to me. Perhaps it's the color. It wasn't hard to remember to wear my Kelly green cardigan. And it wasn't difficult to remember several rooms from our recent history that celebrate spring green. These are my favorites:


Best Bathroom
From our Showhouse at Homestead Preserve, designed by Barry Dixon

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Photograph: Tria Giovan


Best Bedroom
Designed by Toby West

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Photograph: Antoine Bootz


Best Dining Room
Designed by Thomas Jayne

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Photographed by Pieter Estersohn


Best Sunroom
Designed by Josie McCarthy

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Photograph: Pieter Estersohn


Best Kitchen
From our Showhouse at Hampton Island, designed by Elaine Griffin

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Photograph: Jeff McNamara


Best Living Room
Designed by Heidi Friedler

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Photograph: Michel Arnaud


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I went to my daughter’s school the other day for a field trip and met her class in their schoolroom. I was appalled to see how messy her desk was, wrinkled papers hanging out of it, scraps on the floor, no sense of organization. I stacked and tidied; she seemed totally unconcerned. Then I got back to my own office and saw something I normally disregard: chaos. When I started at Southern Accents almost 20 years ago, I had a system and files. As my offices and responsibilities have evolved, I organize less and less, keeping everything on the surface so I won’t misplace anything. Most days, I conduct meetings in our conference room rather than dislodge the disorder.

But no more. As this blog evolves and I am reminded of living graciously everyday, I am taking the concept to heart. The most immediate application is my own office. I’ll restore order and inspire my daughter (the real catalyst to this new outlook), and leave one corner a little untidy. Because as much as I look forward to a more organized desk, I prize the discovery of what’s in the corner—a story idea? a new source for fabric? An invitation to a gallery opening? Adventure awaits.


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The March-April issue just landed on our desks. For those who haven't gotten their copies yet, I'll share the photo that makes me long for the arrival of spring: 


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Contributing editor Patrick Dunne in his New Orleans courtyard
March-April 2009
photo by Simon Upton

A tranquil day, a spot of coffee, a thick Sunday Times, and a well-mannered dog: my personal wish list for this weekend. Hope yours is sunny and bright!



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"In Georgia nights are softer than a whisper
Beneath a quilt somebody's mother made by hand."
—from "Southland in the Springtime" by the Indigo Girls

Star quilt
Quilt, Touching Stars Pattern (detail; pieced silk, cotton batting, and silk backing; circa 1840). 
Unknown maker, southern Mississippi. Collection of Linda McCormick Felts and William C. Felts, Jr.

I'll begin with a tale of woe. When I was about 8 years old, my mother decided to sell an old sofa bed of ours through the classifieds. She found a buyer, who promptly came to pick up her purchase. Not too long after the buyer had left, my mother realized, horrified, that she had not thought to remove the linens from the bed—including a patchwork quilt her grandmother had made "by hand, when she was almost blind!" my mother lamented. (Why she had this dear treasure hidden in the sofa bed, I can't explain.) She called the buyer, who insisted that the quilt was now hers and refused to give or sell it back. Evidently, she realized its value as well. 

I'm still heartbroken over the loss of that beautiful quilt as I, too, am a lover of handcrafted textiles. I used to love sleeping in the attic bedroom at my grandmother's house under a heavy pastel-colored quilt that had worn spots and torn edges from years of use. I now have that quilt at my house, along with three others—another antique I inherited, a quilted throw my own grandmother made for me, and a star-patterned one my mother and grandmother bought for me on my 21st birthday that has its own name: "Stars Fell on Alabama." I met the quilter, an Alabama woman whose quilts all bear the distinction of having a "mistake" incorporated somewhere into the design (though I have examined mine in detail and have yet to find the flaw). 
 
If you share my fascination with quilts and have the good fortune of being in Memphis this weekend, catch the opening of "Pieced and Patterned: Southern Quilts 1840–1940," an exhibition of 30 quilts (including those pictured below and at the top of this page) at the Brooks Museum. See a fiber demonstration by The Cotton Museum, hear live bluegrass, and take a guided tour of the exhibition, which includes quilts from the Brooks' collection as well as quilts on loan from other museums and private collections. The quilts are on view through May 17.

Snake Quilt
Quilt, Original Design, Known as the Snakes Quilt (pieced cotton, cotton batting, and cotton backing; circa 1930). 
Unknown maker, possibly Nashville, TN. Collection of Mr. and Mrs. Joe Silas Emerson.

If you can't make it to Memphis, check out American Quilts & Coverlets in the Metropolitan Museum of Art (MQ Publications, 2007).


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